Three jazz hymns. These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of Come down, O Love divine supplies some new harmonic moves to Vaughan Williams? lovely tune Down Ampney, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of God is Love, which can also be sung to the supplied words of Charles Wesley?s hymn Love Divine, again adds more of Todd?s iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of Let all mortal flesh keep silence is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for ?Lord most high?. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.

with Jesus Lover of My Soul-Uses: General Communion Scripture: John 3:16-17; Romans 8:28-39; Ephesians 3:16-19 Kurt Kaiser's time-honored chorus is skillfully interwoven with a Charles Wesley hymn text creating a useable anthem for throughout the entire church year. Easily learned and beautiful in its simplicity this will be a must-have in your choral library.

This is a vibrant and triumphant piece that emphatically announces Christ's resurrection. It is built around the hymn Christ the Lord is Risen Today and contains excellent organ brass and percussion parts. This is a perfect workfor Easter and emphatically proclaims the message thereof.

With an opening instrumental fanfare and a choral flourish this arrangement of a hymn standard sweeps the listener up in the festivities of worship. Based upon the popular DARWALL tune the melody takes some surprising turns as it offers up the message of resurrection power and the kingship of Christ. Crowned with jubilant Hallelujahs the anthem ends with punctuation marks of praise! Score and Parts (tpt 1-2 tbn 1-2 cym timp) available as a digital download.

From A Melody In Lyra Davidica 1708-This is a very rhythmic arrangement of one of the most popular Easter processional hymns. Charles Wesley wrote it for the first worship at Wesleyan chapel in London.

Charles Wesley has given the church some of its most popular and eloquent hymns that have shown the ability to stand the test of time. ‘O for a Thousand Tongues Sing’ was written to celebrate what Wesley referred to as his ‘second birth’. Wesley marked this day as the day he responded to the love and grave of God.

Charles Wesley has given the church some of its most popular and eloquent hymns that have shown the ability to stand the test of time. ‘O for a Thousand Tongues Sing’ was written to celebrate what Wesley referred to as his ‘second birth’. Wesley marked this day as the day he responded to the love and grave of God.

Paperback-An attractive and accessible setting of Charles Wesley's ever-popular hymn of praise for SATB chorus with Organ.

Harlan uses the hymn tune Hyfrdol a gentle rolling accompaniment and a choice of an anonymous Christmas text or a Charles Wesley text for Easter or general use.Easily prepared would be a good warm up piece.

Charles Wesley's text which is set to a sturdy early American hymn tune by James Lucas depicts the hope to enter into the heavenly home when life is ended. The steadfast and optimistic message of this splendid arrangement makes the work appropriate for both church and concert settings. Orchestral material is available on hire.

J. Paul Williams and Joseph Martin collaborate to give churches the quintessential blended worship anthem for Thanksgiving. The use of “Rejoice the Lord Is King ” the classic hymn by Charles Wesley with thecontemporary rhythmic answer from Martin provides the contemporary variety that makes the anthem a perfect choice for traditional/transitional churches. Exciting!

Arr. Timothy Johnson. Par WESLEY CHARLES. / Niveau : 4 / Hymnes et chorals / Répertoire / Concert Band

Masterful composer David Schwoebel sets the great master J.S. Bach's Jesu Joy Of Man's Desiring to text by master hymnodist Charles Wesley (the traditional text is included as well) transcribed for male chorus and keyboard.